At 40, SXSW remains a proving ground for musicians
Every March, Austin hosts South by Southwest, a conference and festival that combines music, film and TV, and interactive media. The event is known for spotlighting emerging and established talent across multiple creative industries. It also serves as a hub for networking and connecting industry professionals and fans alike.
“SXSW still delivers,” said Sean Goulding, senior agent at British music booking agency One Fiinix. “Maybe not at the level of its peak years, when thousands of acts competed for attention, but the heart and soul of the festival remain very much intact.”
Goulding appreciates the level of community and engagement among artists. “I also heard about songwriting camps fostering collaboration, observed bands playing 15 plus shows with relentless hustle, and was especially moved by the artists in the crowd supporting their peers onstage. I left SXSW with a sense of optimism. Something that can feel in short supply in today’s world,” he said.
SXSW started in 1987 as a music festival. Over the years, it has expanded in scope to include a major film and TV festival and an interactive division focused on technology and innovation. This year marked SXSW’s 40th edition. Due to last year’s demolition of the Austin Convention Center, all three festival tracks ran simultaneously over a single week, creating a more dispersed festival footprint as conference programming was distributed across hotels and venues throughout downtown.
This year, SXSW had a schedule of events that stretched throughout the day for a full week, rather than the usual 10 days of prior editions. Daytime programming featured panels, meetups, screenings, and startup events, while brands and organizations hosted daytime concerts and gatherings. In the evenings, the official music showcases started and continued late into the night, while film screenings and premieres kept taking place.
Austin’s fluctuating spring climate became another defining feature of the week’s experience. Weather conditions shifted dramatically throughout the week, starting with mild temperatures in the 70s, to peak near 98 degrees, before cooling into the low 50s.
SXSW has long served as a discovery platform where artists from around the world perform in intimate venues for industry professionals and fans, hoping to build momentum in their careers. Most arrive either as emerging acts or as somewhat established performers seeking broader recognition. Some return multiple years before breaking through, while others may manage to build steady careers or eventually give up. Past performers who later achieved widespread success include LCD Soundsystem, St. Vincent, Amy Winehouse, Billie Eilish, Metric, Fontaines D.C. and Idles, among others.
Some of the most talked-about artists this year included Lola Young, Swapmeet, Chalk, Basht., Adult DVD, Tom A. Smith, TTSSFU, and Panic Shack. Bands often performed several 45-minute sets each day throughout the week, moving quickly between venues across Austin. Audiences, filled with industry insiders, watched closely as performers presented their work in a setting widely known for music discovery and career exposure.